Wooden Wedding Rings


September 29, 2007

Wedding Band Palace is the Premiere Wedding Ring Source in Los Angeles

Filed under: Jewelry — wood_rings @ 6:26 pm

search rankpros asked:


April 29, 2008, LOS ANGELES – Wedding Band Palace, the premiere source for affordable, high quality wedding bands and wedding rings online, has announced a free shipping and free ring sizer promotion with every purchase!

Wedding Band Palace also includes a beautiful gift box with every order of our one-of-a-kind wedding rings.

Wedding Band Palace is famous for its incredible value and selection. From Men’s Wedding Bands to Engagement Rings, Wedding Band Palace has the perfect choice for any special occasion. Categories of wedding rings that Wedding Band Palace include:

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Wedding Band Palace has been a top, one-stop resource for gorgeous wedding bands and other beautiful wedding rings for him and her for over 20 years.

Wedding Band Palace has over 20 years experience in the wedding band business!

Because of our history of excellent service in providing the best quality wedding bands for our customers, Wedding Band Palace continues to have the highest volume of sales as compared to any of our competitors! We are proud in the fact that big chain stores carries Wedding Band Palace products with complete satisfaction! Experience the exceptional quality and service at the Wedding Band Palace website, located at www.weddingbandpalace.com



Wedding Planning Secrets. How To Have Your Fairytale Wedding On A Shoestring Budget.

September 23, 2007

Casely - Feeling (Prod. Jim Jonsin) [New] / lyrics

Filed under: Music — wood_rings @ 8:29 pm

na1205 asked:


Fresh New Music

~LYRICS~
((Well this is what i come up with))

CASELY - FEELING

The feelings i have inside for you
im so in love (im so in love)
Thinking about everything from this babys name to wedding rings
The feelings i have inside for you
im so in love (im so in love)
Thinking about everything, wanna change ya name, its driving me insane

This feeling don’t come everyday
It acts just like my baby
To give my girls love away
You would have to be a fool or crazy
Shes always stayed by my side
Even when i say it wasn’t right
So today im gonna tell her how i feel
Look into my eyes
I apologize
Baby im so ashamed
I never took the time
i know its not right
im so sorry you had to wait

The feelings i have inside for you
im so in love (im so in love)
Thinking about everything from this babys name to wedding rings
The feelings i have inside for you
im so in love (im so in love)
Thinking about everything, wanna change ya name, its driving me insane

Now everything is laid out for ya
How i feel about ya, just about how much i love you baby
I wanna take another step closer
Now baby let me hold ya, for the rest of my life
Now think i will get down on one knee
And see if you’ll be my bride to be, baby your beatiful …? Hey
But, im in love with you (im in love with you)

The feelings i have inside for you
im so in love (im so in love)
Thinking about everything from this babys name to wedding rings
The feelings i have inside for you
im so in love (im so in love)
Thinking about everything, wanna change ya name, its driving me insane

Look into my eyes
I apologise
Baby im so ashamed
I never took the time and i know its not right
Im sorry you had to wait

The feelings i have inside for you
im so in love (im so in love)
Thinking about everything from this babys name to wedding rings
The feelings i have inside for you
im so in love (im so in love)
Thinking about everything, wanna change ya name, its driving me insane

How To Photograph A Wedding. Wedding Photography Techniques For Photographers. Photographing A Wedding, Find Out The Secrets Of A Professional.

La Olla: Oaxaca Restaurant Review

Filed under: Restaurant Reviews — wood_rings @ 10:07 am

Alvin Starkman asked:


Alvin Starkman, M.A., LL.B.

 

Sit down in most small restaurants in Oaxaca, order the comida corrida (full meal, daily special) and as fast as the Flying Burrito Brothers your server arrives with a bowl of tepid soup with miniscule floating grease bubbles, a healthy portion of fried-in-oil-then-boiled white rice flecked with cubed carrot, a small piece of overcooked meat or poultry swimming in a scrumptiously  tangy mole, a glass of fruity water-of-the-day (agua del día), and a two-inch slab of flan to finish … on the other hand there’s La Olla. 

 

At popular downtown bistro-style restaurant La Olla, whether patrons indeed order the daily special, or select from the menu, co-owner-chef Pilar Cabrera offers the polar opposite — a healthy yet flavorful and traditionally herbed  alternative.  She and husband Luis for years have had a faithful following of tourists and residents alike.  This welcoming oasis has managed to thrive without my business, I suppose because while living in Oaxaca I’ve learned to live with lard, pine for Pan Bimbo and bolillos (respectively, the Mexican equivalent to starch-white Wonderbread, and crusty Portuguese-style buns), and search out everything else sugary, processed and refined.  The sixties’ all-things-good-for-you mentality had been baked out of mind forever, or so I had thought. 

 

La Olla is a thirty-seat eatery with simple wooden tables and chairs and an adobe-brick and hand-painted tile hearth as focal point, on the main floor.  A larger dining room with bar is upstairs.  The restaurant is adorned with art by Oaxacan artists who exhibit on a rotating basis.

 

On this visit, my wife and our daughter Sarah chose from la carta, while I, daring the kitchen to even try to reduce my cholesterol level, opted for the 70 peso complete comida.  Almost immediately upon being seated, a small loaf of fresh, hand-sliced whole grain bread, alongside tortilla chips, arrived in a basket, accompanied by butter, salsa and marinated vegetables.    Predictably, Arlene gravitated towards the un-husked while I munched on the fried masa (corn).

 

I hadn’t drank anything green since listening to Deep Purple, Moby Grape and the early years of Pink Floyd, so when tall soda-fountain glasses of what appeared to be murky algae arrived, I was aghast — pineapple celery juice. I had no choice.  I wasn’t even asked if I would prefer Red Bull, or anything else with first ingredient dextrose, fructose or caffeine. It was well-chilled, with just the right combination of fruit and vegetable so as to provide a refreshing naturally sweet nectar, neither ingredient masking the flavor of the other. 

 

The psychedelia continued.  Who would ever think of combining peanuts, jícama (yam bean), orange pieces and boiled beet in its juices, and then having the nerve to call it a salad?  I was in a purple haze.  Definitely not the limp lettuce to which I’d become accustomed, drenched in a sea of joyful oil.  Crunch and munch, followed by a sunburst of citrus, then soft legume, with seemingly more flavors, textures, colors and tones than the totality of each individual component.

 

Thankfully my soup held no surprises, although lima beans are not normally regular restaurant fare in Oaxaca, or elsewhere in this hemisphere.  They were complemented by nopal (paddle cactus), onion, tomato with seed, and cheese, chile providing the requisite bite.  Once again, attention had been paid to ensuring different degrees of consistency.

 

The chicken fajitas, on the other hand, were not as expected.  But by this time I had reverted to my former self of decades long past, and willingly welcomed a main dish lacking excess grease.  The strips of chicken ****** were tender. The vegetables had been prepared separately so as to maintain their individual, appropriate degrees of doneness.  The liquid was more in the nature of light stew juices than canola á la wok.  The seasoning was Italian, yet with the pleasing essence of fresh cilantro predominating

 

Sarah’s organic salad mirrored mine in terms of flavor and texture, but was sliced baked apple, watermelon chunks, flax seed and goat cheese.  Her sopa azteca was inimitably served.  Most Oaxacan restaurants serve all ingredients already combined, or the potage and some ingredients arriving already mixed together with those remaining on the side.  At La Olla the tortilla slivers, cubed queso (cheese), avocado and dried chile pasillo strips are presented in a bowl, over which is then poured the tomato-based broth.  Unfortunately the rich and distinctive flavor of the chile is not readily apparent due to the way the soup is served, so it’s best to either stir and wait, or add some salsa and fresh lime juice to achieve maximum zestiness … unless you have a cowardly palate. 

 

Arlene ordered the guachinango (snapper), deviating from her general rule of avoiding fish and seafood while in Mexico’s interior.  This new menu item is a keeper.  Two good-size portions of properly pouched pisces, each wrapped in aromatic yierba santa leaf, were offered on a plate ringed with salsa guajillo.  Once again there was a healthy bit of heat, and different textures provided by plaintain, nopal and jícama.

 

Our only regret was not having had an opportunity to sample some of the other natural fruit and vegetable combination juices and one of the hale and hearty sandwiches, for which La Olla is known.  Perhaps next time … with alfalfa sprouts on the side, por favor. 

 

La Olla

Calle Reforma No. 402

Centro Histórico, Oaxaca

Hours:  Mon – Sat, 8 am – 10 pm

Live music Fri and Sat night, 8 – 10

T:  (951) 516-6668

W: http://www.laolla.com.mx ; http://www.mexonline.com/sabores.htm

E: bbsabores@prodigy.net.mx  



How To Photograph A Wedding. Wedding Photography Techniques For Photographers. Photographing A Wedding, Find Out The Secrets Of A Professional.

September 18, 2007

History of Locksmithing and Locks

Filed under: Home Security — wood_rings @ 1:10 pm

Angelina asked:


Locks and keys were known long before the birth of Christ. They are mentioned frequently in the Old Testament and in mythology. In the Book of Nehemiah, chapter 3, it is stated that when repairing the old gates of the City of Jerusalem - probably in 445 B.C. - they “set up the doors thereof, and the locks thereof, and the bars thereof.” They were large and crude in design; yet their principle of operation was the forerunner of the modern pin-tumbler locks of today. At this time, locks were made of wood.

The oldest example of a mechanically lock was found among the ruins of the palace of Khorasabad in Niveveh. This lock has come to be known as an Egyptian door lock, because of it’s widespread use in Egypt. It utilized a crossbar set into two surface mounts that was completely enclosed save for a small opening for the key. Moveable pins were dropped by gravity into cavities on the crossbar and locked the door. As the key was inserted into the lock it would move hidden pins out of the way and allow the crossbar to be removed. This is considered to be the forerunner of the modern pin tumbler style of lock that we use today.

The Greeks used a lock that worked by fastening the wooden bolt and staple to the inside of the door. The key a sickle-shaped wooden or iron key manipulated and lift the bolt. This lock, compare to the latter one provided little security.

The Romans fabricated the first metal lock based on Egyptian principles. They designed pins of various shapes with keys and keyholes. Many of the keys were elaborate designs, such as birds and flowers. They were also invented the ward locks, which with modifications are still very much in use. Wards are projections around the keyhole, which prevented the lock from being turn without the proper key. The roman also fashion miniature keys that could be worn as rings. But ward lock were relatively easy to pick.

Millions of locks were needed to keep this vast and growing mountain of property secure and intact. The locksmith sets about designing locks whose cost and strength linked to the value of what they were protecting. They were kept on their toes by thieves and burglars.

In the 14th century, the locksmith’s guilds became prominent. In order to be accepted as master locksmith, one had to create and submit a working lock and key to the guild. As the guild gained control over locksmiths, including regulating techniques and prices, corruption increased. The result was locks were made to be displayed in the guild hall and not for installation purposes. Consequently, some beautiful locks and keys came into existence with no technological or security advances.

During the 1940s, with the onset of the Second World War, many locksmith specialists became a priceless commodity. The locksmiths who were in business during this era did not have time to process the invention in their field but focus primarily on the war. Many locksmiths were drafted into service while others continued to work as locksmiths during this era.

Today Locksmiths sell, install, maintain and repair locks and other security devices. They also make copies of keys, replace lost keys and open locks when needed. They have to apply skills in metalwork, woodwork, mechanics and electronics.



The Ultimate Wedding Vow Toolkit. All The Tools You Need To Write Vows That Are A Romantic Masterpiece.

September 17, 2007

The Early Histories of the Ancient Celts (Part 1)

Filed under: Education — wood_rings @ 5:34 pm

Peter RAS asked:


Celtic describes a language group which over a period of time divided into two strains:

P-Celtic (Brythonic) spoken in Wales, Cornwall and Brittany.

Q-Celtic (Gaelic) spoken today in Ireland, Scotland and the Isle of Man.

The ancient Celts were communities of people sharing linguistic and cultural ties, who inhabited most of Northern Europe between 800 BC and 400 AD. The Iron Age Celtic communities spread from Ireland to the Eastern Europe at the peak of their expansion from 400 BC-300 BC.

Archeological map of distribution of the Celtic Hallstatt culture ca. 800 -400 BCE. The Hallstat culture 800 BC-250 BC named after a site at Hallstat in Austria, they ranged from the Paris Basin to the valley of Morava in Eastern Europe, and from the Alps to the North European plain. Early burials (800 BC- 600BC) show small cemeteries denoting small settlements, perhaps one family or a small group of related families. The graves show little wealth, a few graves with wagons and horse equipment, but most as warriors both male and female with their swords, a few personal ornaments and pots containing food.

Between 600 BC-450 BC aristocratic burials start to appear, associated with much larger residences with architecture inspired by the Greeks, and Mediterranean artefacts begin to appear in graves. The overall leader or chief being accompanied in a wooden chamber with the wagon and horse equipment, filled with imported items, bronze wine drinking vessels, silk, gold, amber, glass and coral. The individual ‘vassal’ chief with wagon filled with more locally made goods, and ’sub-chiefs’ similar, but less elaborately furnished with totally locally produced items. This prestige system of burials was widespread from Burgundy to the settlements of the middle Rhine. This unstable system based solely of imports and exports, as its core, threw up warrior societies, whose wealth came from raiding the settled traders. Along with the growth in population among the tribes and political changes within the Mediterranean area, this caused collapse, and the Celtic migrations began around 400 BC.

The ‘La Tene’ culture, known for its elaborate artwork, coincided with the last 50 years of the Hallstat culture, and this culture was carried forward in migration. Warrior bands moved south and east towards the rich pickings of the peoples whom they had traded with. Rome was attacked in 369 BC and continued into Italy, Delphi being attacked in 279 BC, and eastward roving bands continued into Asia minor. Migrations due to population growth continued throughout the next few hundred years.

The migration attempt of the ‘Helvetii’ was halted during the eight year war with Caesar’s Rome, as hundreds of thousands of Celts were killed, sold into slavery or maimed. After his victory Caesar went back to Rome; Gaul and Britain were left alone for 15 years. When the Roman emperors later began to set up an administration, most of southern and eastern Gaul was brought within the Roman empire fairly easily, as the Celts in this region had already established a sedimentary lifestyle, and a trade based economic system. The further borders of the Roman Empire remained in a state of flux for sometime, with the constant pressure from the so called ‘Germanic’ tribes pressing in from the east, which finally contributed to the collapse of the Roman Empire in the 5th century AD. The term ‘Germanic’ was termed by Caesar who called anybody north of the Rhine ‘Germanic’, and anybody south of the Rhine ‘Celtic’. Archaeology makes it clear that while there were two different material cultures, with different house building and burial styles, they were much more intermixed than Caesar’s simplistic geographical divisions would indicate.

There were differences between the religious practices of European and the British Celtic peoples. The south of England which was settled by the Belgic peoples is more closely tied to the Continent, while northern England has more unique deities and practices. Ireland had even less contact with Europe and maintained its culture the longest. The Continental Celts had been influenced by the Mediterranean cultures, with their regular trading with the eastern Mediterranean from as early as 8th century BC, and regular river and inland trading between southern Britain and the Mediterranean since 6th century BC. Where as the trading links, with the other Celtic regions was occasional and maritime.

Recorded History.

According to Caesar there are no contemporary religious writings from the Celts themselves because, as the Celts had a religious prohibition against writing things down, although they eventually kept trade related records using Greek characters. We must rely on the writings of others. A number of classical writers mentioned the Celts. The very first use of the term ‘Keltoi’ is by the Greek Hecataeus of Miletus around 500 BC. Most of these Greek and Roman authors whose works have survived didn’t have any first hand knowledge of the Celts. Most of the extant writing comes from the first two centuries of the common era, and rely on observations of the Stoic philosopher Posidonius, early 1st century BC, whose own writings have been lost. His information was based on first hand knowledge of Celtic society in Gaul. Scraps of his writings are contained in later writings, especially Athenaeus, Diodorus Siculus, mid 1st century BC and Strabo 40 BC-25 AD.

From Posidonius we learn that Celts subscribed to the Pythagorean idea of transmigration of the soul, which Caesar mentions as well though he couches it in terms of making the fighters unafraid of death. Julius Caesar had the opportunity to see Celts at first hand, both on the continent and in Britain, but his concerns were mainly military. His writings also served as propaganda to raise money for his campaign against them. He wasn’t particularly interested in religion other to note the influence of the Druids on the nobility. Caesar describes the Druids, saying they ‘officiate at the worship of the Gods, regulate public and private sacrifices, and give rulings on all religious questions. Large numbers of young men flock to them for instruction and they are held in great honour by the people. They act as judges in practically all disputes whether between tribes or between individuals.’ He also noted that the Druids had the power to ban someone from the sacrifice, which meant both excommunication and shunning by the community. He mentions that there are many and diverse deities but does not name them except to use the name of whichever Roman deity possessed similar attributes.

It is to Pliny the Elder, 1st century AD, that we owe our image of the Druids cutting mistletoe with a golden sickle. It was an afterthought on the mistletoe entry in his book on trees. The word he used was ’sacerdos’ not Druid, and it was probably the Vates who would perform such a ritual. We get this division of the Celtic ‘priesthood’ from Strabo’s ‘Geographica’ written at the end of the 1st century BC, which states ‘Among all the Gallic peoples, generally speaking, there are three sets of men and women who are held in exceptional honour: the Bards, the Vates, and the Druids. The Bards are singers and poets; the Vates, diviners and natural philosophers; while the Druids, in addition to natural philosophy, study also moral philosophy.’

Additionally, Irish vernacular evidence does tend to support this three part division.

Classical sources tended to sensationalise Celtic religion. They were, after all writing about foreigners who were considered barbarians. Like today it’s the unconventional and ‘uncivilised’ information that received the most attention, there was little accurate information about the Celtic Deities, as the authors tended to use their own Gods, already understood by the populous, who they thought nearest to worship of the Celtic Gods. Again like today they were the sensationalist’s like Lucan 1st century AD, who reported that the three major Gods of the Gauls demanded human sacrifice, Taranis (burning),Teutates (drowning), and Esus (hanging and wounding). The Romans had banned human sacrifice only a generation or two earlier and this was reported, so the Romans could be seen to be superior beings, early propaganda.

The classical writers of the day also describe the Celt’s appearance, Diodorus tells of the men of the Gauls being tall and fair with loud voices and piercing eyes, and the women being nearly as big and strong and as fierce as their menfolk. Tacitus decribed the Caledonii of Scotland as having reddish hair and large loose limbs, the Silurians of Wales described as swarthy, with dark curly hair. Dio Cassius as large and frightening, with bright red hair, Strabo records that both sexes liked to wear lots of jewellery, this is confirmed by archaeological findings, showing heavy torcs, brooches, rings, necklets and bracelets.

An idealised picture of the classical Celt is best described by Virgil in the following quote, ‘Golden is their hair, and golden is their garb. They are resplendent in their striped cloaks, and their milk-white necks are circled in gold.’

Inscriptions on alters and votive objects provide almost 400 names of Celtic deities, unfortunately many of the names just appear the once, and have no evidence about the deity, others had descriptive epithets added to their names, others are paired to Roman deities, allows us to guess more accurately about their Celtic counterparts. Some classical Roman deities receive Celtic epithets, and classical Gods often received Celtic consorts.

The Celts were seen to have a hierarchy in the sense of a coherent pantheon dwelling in some remote place. The human world and the Otherworld formed a unity in which the human and divine interact. Each location has numinous powers which are acknowledged by the people as we can see by their naming of mountains, rivers and other natural features many of which have associated deities.

When the Celts invaded Greece in 278 BC, Brennus entered the precinct of Delphi, saw no gold and silver dedications, only stone and wooden statues and he laughed at the Greeks for setting up deities in human form. Caesar mentions that the Germans worship the forces of nature only.



Create Your Own Wedding Flowers. Step-by-step Guide To Creating Fantastic Wedding Flowers.

September 13, 2007

we at home at dealing in wood carving. can we be helped in identifying the buyers of the product from Kashmir?

Filed under: Glasgow — wood_rings @ 1:37 pm

ParvezAhmad B asked:


Exporters of walnut wood carving and furniture. Carved, semi carved and plain. also utility items like boxes, wall hangings, napking rings, cigrette boxes, serving trays, letter boxes, bowls etc.

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Grace’s Wedding-rings

Filed under: People — wood_rings @ 4:35 am

jaskik73 asked:


rings

Amazing Wedding Planning

September 7, 2007

Print, Pre-press and Some Other Terminology From Discturnkey

Filed under: Graphic Design — wood_rings @ 11:33 pm

discturnkey asked:


Adobe Illustrator: a popular software program used in the manipulation of electronic files and images, toward the creation of the final artwork.

Bleed: Printing that extends beyond the edge of a panel or page.

Blueline / Dylux: photosensitive paper that images in varying degrees of the color blue. This proof is used as to check copy and position.

Buttfit / Kissfit: the meeting on 2 or more colors where there is no overlap or trap.The result is often a visible thin white line.

Caliper: the thickness of board measured in thousands of an inch called “points”.

Choke and Spread: (Fatty/Skinny) to slightly decrease (choke) or increase (spread) the size of a graphic element to create a trap or fit.

Cromalin proof: DuPont trade name for a color contract proof,used as color guide on press.

Color Correct: to retouch or enhance color in specific areas.

Color Key: 3M trade name for an overlay color proof.

Color Separation: the separation of a continuous tone image into the four process colors: black, cyan, yellow and magenta.

Composite Film: or final film,a single piece of film that contains all the characteristics of several pieces of working films. Also known as plate ready film.

Crossover: an image that continues from one page or panel to another.

DPI: Dots Per Inch; used loosely to describe the resolution of an element.

Die template: the finished outline of a package or shape.

Directory: a list of the files, fonts and software programs used to create an electronic file.

Direct to Plate: also known as CTP (computer to plate); the process of transferring electronic files directly to print plates, eliminating the intermediate step of imaging films.

Discturnkey: The trades mark for Discturnkey Solution Co., Limited It is the leading manufacturer of CD&DVD products in China.

Dry Trap: refers to the overlapping of inks done in two press passes while one of the inks is dry and one wet.

Duotone: the graphic representation of an image using only two colors.

Dylux: Dupont trade name for a blueline proof showing type and position of images. (blueline)

EPS: Encapsulated Post Script, a commonly used format for moving files from one application to another electronically. The element is locked to prevent inadvertent changes.

EPS Template: an electronic drawing of the actual die layout. It is used to prepare and layout artwork in its proper orientation. It is also used to create the die tool and should not be altered without notice.

Four color process: the representation of all colors through an arrangement of dots of the four process printing ink colors: cyan, magenta, yellow and black.

Halftone: a one-color photographic image, with tones reproduced by varying-size dots of ink.

Hickie: an imperfection in a printed sheet caused by a contaminant in the print process. Any paper dust, spray powder or other contaminant will adhere to a blanket or plate on press and prevent ink from being used in that area. The result is a small white spot.

Hot spot: increased density of a color in a small area that can occur in film or plate making.

Keylines: rules that are placed in a document to mark specific areas to place graphic images. A keyline can also represent the shape of a three dimensional product while in a flat two dimensional drawing.

Knockout: the removal of all other colors behind a specific element. (with a black background you would remove the black behind any colored type)

Lines per inch: number of rows of dots per inch in a screen tint, half tone, or separation.

MAC: an Apple-based computing software or hardware system.

Make ready: activities required to set up a manufacturing process or piece of equipment.

Matchprint: 3M trade name for a color proof of final films.

Moire: Undesirable pattern in halftones and screen tints caused by conflicted screen patterns.

Page count: total number of pages including blanks and printed pages.

PC: an IBM-based software or hardware system.

PMS: (Pantone Matching System); a check standard for color reproduction.

Preflight / Flightcheck: the verification of an electronic document for potential problems prior to outputting film or plates.

Proof: a test sheet produced to check color, type, layout, and design.

Prototype: a machine or handmade sample of a pre-production package.

Prototype Dylux: a prototype made from a dylux proof that illustrates the printing, folding and scoring in a 3-dimensional form.

Quark File: a document or part of an art file that was created with Quark Xpress.

Quark Xpress: a software program written for the graphic arts industry.A tool for page construction and type manipulation.

Random/scatter: proof of a scanned image. Used to check the color or quality on an image prior to final films/plating.

Reverse: image showing out of a printed background area.

Screen: piece of film with dots of uniform density.

Screen ruling: the number of rows of dots per inch in a screen for tints or halftones.

Screen tint: area printed with dots where ink coverage is less that 100% to simulate shading.

Trap: The overlapping of adjacent colors, so as to avoid the potential of a white gap between images.

Trim size: size of the printed sheet after last trim is made.

UCR: Under Color Removal; done during scanning to reduce the total amount of ink

coverage in shadow areas by replacing some of the cyan, magenta and yellow with black. Reductions of ink usage can improve ink drying and dot gain control while on press.

Wet Trap: refers to the overlapping of inks done in one press pass while the inks are all still wet.

Window: an area cut out of masking material on a mechanical to position a graphic element.

Working film: Preliminary or intermediate films, which are then combined to produce the final (composite) film.

CD & DVD TERMINOLOGY

A-Time: Absolute time, elapsed time, measured in minutes, seconds, and frames. (00:00:00) Ref start of the program.

Authoring: Creation of a database for CD-ROM. The end product is usually a search and retrieval type document with the addition of a user interface. Specific authoring functions include tagging and indexing.

Block Error Rate: (BLER) the number of error correction blocks which contain errors, usually expressed in counts per second. Most errors can be corrected by the error correction system; a high BLER can lead to uncorrectable errors or poor performance.

CD: Compact Disc.

CD-DA: Compact Disc Digital Audio.

CD-I: Compact Disc Interactive. An interactive multi-media system which connects to a television. The CD-I standard is known as the Green Book.

CD-ROM: a read-only Compact Disc.

CD-ROM XA: Extended Architecture. A standard that allows interleaving of compressed audio and video data for synchronization purposes.

Disc At Once: during recording of the CDR disc, all data is recorded continuously in one session.

Discturnkey: The trades mark for Discturnkey Solution Co., Limited She is the leading manufacturer of CD&DVD products in China.

DLT Tape: Digital Linear Tape. This is a standard input media form of DVD.

DVD: Digital Versatile Disc: A high density format for data, video and audio approximately 4X the density of a normal CD.

ECC/EDC: Error Correction Code/ Error Detection Code. Codes specified in the color book standards and embedded in CD data which facilitate the reconstruction of data if read errors occur.

Glass Master: a master made from a CD and used for the replication of additional CDs.

HFS, HFS+: Hierarchical File System, the Apple/MAC file structure standard. HFS+ was introduced in 1998 to allow greater file density on larger storage media.

Hybrid Disc: a CD-ROM which can function on both PC and MAC platforms. The disc contains separate ISO 9660 and HFS partitions.

Indexing: Creation of a data index to speed up search and retrieval.

Inlay Card: a printed insert that fits inside a jewel case for identification, advertising, or instruction.

ISO 9660: an international standard for defining the file and directory structures for CD-ROM.

Jewel Case: a hinged plastic case for the storage of a CD.

Kodak Photo CD: digital photographs encoded onto a CD.

Media Conversion: The process of converting data from one type of media to another for premastering and mastering. Premastering software typically requires input data on hard disk. 8MM tape and compact disc are preferred as input media for the mastering process.

Mixed Mode Disc: a CD-ROM that contains both computer data and audio tracks.

Mode 1: the most common CD-ROM format. Contains 3 layers of error correction and computer data.

Mode 2: CD-ROM data format with 2 layers of data correction for audio and compressed video.

PQ Information: disc or tape information that determines track start points, control bits, timing info etc.

Premastering: formatting data into the exact image that will appear on the CD-ROM so it is ready to be mastered and replicated. Includes file structure and location.

SID Code: Source Information Code: this code identifies the origin of the disc to help prevent piracy.

SMPTE Time: time code adopted for use in the video industry used in CD production.

Tagging: placing hidden markers in text that indicate where to start specific images.

Track at Once: during recording of CDR disc, each track is written individually. The recorder starts and stops recording between tracks. This puts link transitions between each track which can cause problems for some mastering facilities.

Transfer Rate: The amount of data transferred from a CD-ROM to a computer. This rate is limited by the rotating speed of a disc drive.

Video CD: provides full motion video and audio in a CD format.

Yellow Book: International standard which defines the physical properties of a CD-ROM disc.

PACKAGING AND PAPER TERMINOLOGY

80# Gloss Text: Standard glossy paper stock, about as thick as a light magazine cover. The shiny finish provides an excellent opaque base for rich process color printing. This is our most popular stock for: Brochures, Catalog Inserts, Flyers, Posters, etc.

100# Gloss Text: Similar to the 80# gloss text, but 25% thicker and heavier, for a more substantial feeling piece. Standard Uses: Brochures, Information Sheets, Self-mailers, etc.

80# Matte Text: This stock is finely coated with a non-gloss finish. It provides an excellent opaque base for easy to read, crisp typography. Standard Uses: Brochures, Catalog Inserts, and Flyers, etc.

80# Gloss Cover: As a “cover” stock, this paper is stiff, about like a postcard or baseball card. This stock is coated with a glossy finish, making photographs and other images look beautiful. Standard uses: durable, heavy-weight Brochures, Catalog Covers, Product Spec Sheets.

100# Uncoated Cover: An option for business cards, rack cards and bookmarks. This bright white smooth #1 grade cover stock is 14 pt in thickness and matches the 70# text-weight stock we use for letterhead and envelopes.

120# Gloss Cover: We use this stock exclusively for postcards, business cards and rack cards. The glossy, coated finish makes photographs and other images look beautiful. 12 pt thickness.

70# Uncoated Text: We use 70# Lustre for stationery and envelopes and 70# Cougar Opaque Offset on calendars and newsletters. These uncoated (non-glossy) white stocks are guaranteed safe for desktop laser printing. Many common stationery stocks are not appropriate for 4-color printing, so we have selected these for best results. Feels thick and substantial in your hands.

24# Uncoated and 28# Uncoated: This is a standard stock commonly used for envelopes, also called White Wove. The 28# is thicker and heavier than the 24#.

10-point C1S: A Bristol stock, gloss coated on the outside and uncoated on the inside. Used for Greeting Cards.

Aircell: a space created by forming a substrate into a shape to provide protection in a package.

Acetate Window: clear film covering a die-cut opening.

Applique: an secondary layer of material joined over an existing substrate that creates a multi-level finish.

Angle Ring: binder ring metal that appears like a backwards “D”.

Aqueous Coating: a clear liquid topcoat applied to a printed sheet.

Assemble: to set up and finish into a fully completed format.

Bleach: a process used in paper making to whiten paper. Also a reference as to the whiteness of the paper.

Bleach/Oyster: corrugate term referring to the color of a sheet: bright white one side, egg shell white the other.

Bleach/Kraft: corrugate term referring to the color of a sheet that’s bright white one side, brown kraft the other.

Blind Emboss: the registration of an embossed area to a printed area. (see embossing)

Board: a generic term referring to the substrate.

Boosters: triggers at the ends of the ring metal that assist the opening of the ring.

C1S: paper coated one side.

C2S: paper coated 2 sides.

Caliper: the thickness of material measured in thousands of an inch often referred to as “points”.

Capacity Pocket: a pocket formed with a double score along each side, to create a spine that gives the pocket a greater thickness, and capacity, than a flat pocket.

Cast Coated: Paper with a high-gloss clay coating that can rival the gloss of a photograph.

Cavity: recessed area of a package used to house an item (CD, VHS, promotional item, etc.).

Chipboard: a paperboard substrate, normally recycled and used primarily in consumer packaging.

Combo Form: a print form that combines more than one item for print and finishing.

Consignee: the party that is receiving goods.

Corrugate: flat paper joined together with a fluted medium or middle using starch and steam. (double face board).Can be flexo-printed, silk screened or litho labeled.

Corrugation Direction: the running direction of the flute or center of the material.

Corrugate Medium: the fluted or wave portion in the middle of a corrugate sheet.

Crease: a score or impression in a substrate that facilitates folding and bending.

Deboss: an area on a sheet that has a depression created using an engraved tool and a die-press.

Deckle Edge: feathered edge of a specialty paper.

Die-Cut: the process of cutting a material into its finished shape using a steel rule cutting die and a die press.

Discturnkey: The trades mark for Discturnkey Solution Co., Limited. It is the leading manufacturer of CD&DVD products in China.

E-Flute: corrugate material 1/169 thick.

Emboss: a raised area of the sheet created using an engraved tool and a die-press.

EPS: Expanded Poly Styrene. Styrene foam blocks are hotwire-cut to create inserts used to support the structure of a dimensional package.

Expandable Pocket: a flat pocket that can become a capacity pocket using a z-fold design technique.

F.O.B.: Freight On Board. The payment point on a freight shipment. “F.O.B. Destination” indicates the shipper is paying the transportation costs through to the final destination. “F.O.B. shipping point” means freight costs are not being paid by the shipper. “F.O.B.” can be followed by a zip code, which is the point to which the shipper is paying the freight.

Film Lamination: a layer of polypropylene or polyester that is applied to a printed sheet. It is available is gloss, matte, satin or a metallic finish.

Finishing: the process of converting a sheet into its final form.

Flaps: material extending off the ends of various panels on a package.

Flute: the wave or center section of a corrugate sheet. Available in several thicknesses: E is 1/169,B is 1/89, C is 3/169,

Foil Stamp: the flat application and transfer of foil to a substrate using heat and pressure. This graphic technique can be used in conjunction with debossing or embossing.

Fulfillment: collating, inserting ,and loading materials into a package for bulk shipment or mailing.

Gloss Lamination: see Lamination.

Grain: the fiber direction in a sheet of paper.

Gusset: a flat panel with a center score that expands to a given width. Gussets can be pushed in or out in manufacturing and should be specified at the time of order.

Hidden Hinge: a 3rd piece of vinyl that is sealed to the outside of a binder without the hinge bars.

Hinge: a score or crease that is used to open and close a panel.

Hook and Loop: generic term for Velcro.

Hot Melt: an extremely durable and reliable adhesive used in the construction of a package.

Hotwire: a technique for cutting and shaping EPS foam.

Inner Packing: materials used to position, support and protect an object inside its package.

KD: knocked down flat.

Kraft: paper color; natural kraft has a characteristic light brown appearance.

Lamination: (see also Film Lamination) the application of litho label to a corrugate sheet using a cold adhesive and pressure.

Laminator: a machine that applies film lamination to paperboard.

Litho-Label: usually a 80# or 100# C1S stock that is printed and applied with adhesive to an E-flute corrugated sheet. Film lamination is required to prevent cracking on folding scores.

Locking Tabs: tabs used in packaging for closure. They may be passive for re-opening a package, or positive for mailing or more permanent applications.

Machinable: the ability to automatically glue, die cut or finish a package.

Pallet/Palletize: a wooden deck-like structure for loading boxes onto for storage or shipping.

Panel: the face or side of a package.

Paperboard: solid fiber board used for making packaging.

Plant Load: a US Postal term: certification that allows manufacturing companies to mail packages or flats directly from their facilities into a US Postal vehicle, bypassing the local post office.

Score: an impression or crease in a substrate that is used for folding or bending.

Slip-sheet: to insert a material between two packages to prevent abrasion and scratching in shipping. Un-printed newsprint is often used.

Slit: a cut made in a substrate without removing any material.

Slot: a cut made in a substrate that does remove material.

Substrate: the core material (i.e.: corrugate or paperboard) used in a printing, finishing or packaging process.

Super Panel: a panel or page of a package that is printed on one side, but folded onto itself, presenting graphics on both sides.

Tuck Tabs: tabs that extend off a panel and are tucked into a mated slit; often used to close a package.

Turned Edge: litho-label wrapped over a fiber or chipboard edge, for instance on a slipcase, to provide a more finished appearance.

Window: an area cut out of a panel. Can be covered in cello.



Amazing Wedding Planning

September 3, 2007

Lord of the rings: What is the name of Elijah Wood in that movie?

Filed under: Polls & Surveys — wood_rings @ 2:00 pm

impissedoff asked:


its his birthday today!!! star this question if you love him

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